En Escena
Corteza [2018 - 2019]
A captivating contemporary circus show directed by former Cirque du Soleil artists Blanca Luz Capella and Rafael Moraes. Initially running for an hour and 40 minutes, now streamlined to an hour and 15 minutes, this dynamic performance features a talented cast of around twenty people. Held at the University of San Martin, my classmates and I interpreted and produced this project. The show seamlessly blends circus skills with physical theater, dance, and music, offering an unpredictable, exotic, and fun experience that takes you on a roller coaster of emotions.
This was undoubtedly one of the most significant artistic projects I participated in during my career.
Eureka, Laboratory of Contemporary Circus [2019]
A 1-year program directed by Gabriela Parigi, a renowned artist in the Argentine contemporary circus scene, Eureka featured performances that emerged from extensive research and experimentation. This formation integrated circus skills, dramaturgical tools, free play, and improvisation. The objective was to take scenic risks, confidently stepping onto the stage to claim and defend that space through performance. It offered a fascinating training experience on how to approach the creative process in the performative arts.
Escamas [2018-2019]
A 40-min performance directed by Lucas Bustos, featured a cast of five contortionists.
I not only participated throughout the entire performance but also had a solo in the opening scene: a silent scene where the only sound was my breathing. There I was, naked and entangled with an LED cable. With no lights or sounds, it was a subtle and quiet moment. We staged this project in a small theater, creating an intimate and cozy atmosphere.
Beta, Thesis [2019]
"Beta" was my final workshop to complete my degree at the University of San Martin. It was a 30-minute solo performance divided into three 10-minute scenes. The seed of this project began in Eureka. The first two scenes were a tragicomedy addressing the stereotypical roles of women in modern society.
The last scene of "Beta" was my favorite: after an extensive process of exploring movement, I aimed to reach the pinnacle of physical exhaustion. I wanted to push myself to the extreme, ending up naked and sweaty in front of the audience, with nothing left to give.
Other projects:
Sistemas de Fuga [2020]
A dance and improvisation piece directed by Yazmin Frione. The creation process of this work was very interesting, as we started it during quarantine. Much of the initial phase was dedicated to exploring movement, rhythms, emotions, and gestures. We were a cast of five people, including the director. It was a beautiful process with a wonderful final result!
Leonardo, Trabajo Practico N°1, directed by Gerardo Hochman [2018-2019]
A show for all audiences, directed by the head of the Performing Arts program at the University of San Martín (UnSAM).
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The rest were various micro-projects for events promoted by the government, as well as small gigs.
